ADSactly Literature - 5 Tips on Storytelling
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If there is one thing all the Steem people have in common, it's...crypto. Right, but that's not what I was talking about. The second thing people here on this platform have in common is writing. There is indeed a large writing community on Steem, there are many aspiring writers here, or maybe just people who enjoy penning the odd story in their spare time. That's all good and well, because writing is an excellent outlet. It can be extremely cathartic and it helps develop your brain. It pushes you to think outside the box, which is something we should all strive towards.
So, I thought today, I'd write a post aimed specifically at those people, the writers. Because I have written a lot of literature posts for @adsactly (and I plan to write many more) but those can also be enjoyed by readers, so this one is especially for the writers. Although, you're welcome to read, too. Who knows, it might inspire you to create some art.
As a writer, there should be no rules that you follow, absolutely none. Whoever tells you that you need to do X or Y in order to write, they're lying and you shouldn't listen to them. It's crucial, when you're writing, that you only listen to yourself. I mean, think about it, chances are that the story you're telling came from somewhere within you and then, who better to know how to end it? You, naturally. You know what needs to be done. Trust yourself and write every day and bam, you've finished a story.
But what happens when you want others to enjoy the story? Well, here it's a bit different. While I do believe you should never compromise your artistic integrity, that you should never ever change your story in a way you don't like in order to be more commercial, I do think that the story might need a few tweaks before it's ready to hit the bookstores. Because isn't that every artist's desire? To share their art with as many people as possible?
1. Where is this story going?
Perhaps the most important thing when you're writing (as well as editing your work) is to have a clear sense of direction. Where are you going? What's the story about?
It's often true that writers don't know where their story is going, that you just sit down to write and let it take you somewhere new, without knowing where that somewhere might be. And that's all good, it's how it's supposed to be. It's an artistic freedom that is paramount if you want to create something good.
But (yes, there's always a but) that doesn't mean you should let your story drift aimlessly. You may laugh, you may say you would never do that, but it happens more often than you'd like to think.
The writer loses interest, or you let your thoughts drift. Maybe you had a great starting point, but now, you're unsure where to go next. Well, take a moment and focus and decide upon a course of action. And even though that course may change as you write, it's good. Never write without a purpose in mind, because the reader isn't dumb. They will recognize where you're just drifting, they will know you have no idea where you're taking the story. And if you don't know, why should they care?
2. Does this advance the story?
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This is more an editing tip.
Perhaps the most important question you, as a writer, can ask. Besides 'am I happy with this story?', of course. You might lose yourself while writing and that's okay. You're supposed to write a brief 5-line dialogue about religion and the next thing you know, you're 7 pages deep into a big speech about the rights and wrongs of Christianity. Hey, it happens. And while you may have very valid points there, you should never let your story stray away from the subject at hand.
When you edit, you should read through your words with a critical eye, harsh and brutal and murderous even. You must be able to recognize that those 7 pages about religion are not advancing your story and even though you love them, you must delete.
You come across an overly-long description of the weather? Is your story about weather? Does weather play some major role in the way events unfold? If yes, you may keep that description. If not (which is probably the case), it has to go.
Again, readers care about their time, they don't want to waste it on parts that lead nowhere. You must make sure your story is airtight, and those drifting moments are really just holes in the story.
That being said, I often choose to ignore this rule. Why? Because sometimes I feel that even though a paragraph doesn't advance the story as such, it does build an atmosphere or a relationship with the reader.
So always ask yourself 'does this advance the story?' and remember, some paragraphs are okay.
3. Hit 'em in the feels
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What drives a writer, and indeed, any artist, is feeling. Always. Whether it's anger, unrequited love, hatred towards your teacher, grief for your dad, it has to make its way into your art. Because if it doesn't, then your art is empty.
Careful, I don't mean by this that say, you lost your cat last week and now you're grieving, then every story you write should be about losing your cat. No, that should be an obvious no. One story about a dead cat is fine, maybe two, tops. But more gets repetitive. And we don't want that, do we?
What I'm talking about here is the energy behind that feeling, you must channel it into your work, you must let it drive you. As I said, writing can be very cathartic, it might help you deal with your feelings, whatever they are. But only if you let it.
Humans are emotional creatures. Almost every day, you're feeling something, whether it's mere boredom, pain, heartbreak or extreme joy. Put some of that into the character, because you're feeling it at a certain intensity. If it wasn't unusual, you wouldn't be aware you were hurting, right? Make sure your character feels things at the same intensity, because that will make him more real, easier to relate with.
4. Action, action, action
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No, by that I don't necessarily mean you need a Bruce Lee type of scene in every story. Not at all. But I do mean that whatever you write should push your readers towards some sort of action. You should always inspire your readers to act, because that's just what great art does.
The Hobbit makes readers want to go on an adventure. Romeo and Juliet makes readers want to fall in love. And these stories make readers more open towards a feeling, more inclined to act. As I said, you need to put your feelings into your work, it's good for both you and the reader. And ideally, that intensity in your story should also push the reader to do something.
You don't necessarily have to tell your readers “you must do this”, but you should help them, with your words, to find a solution. If people identify with a problem that one of your characters has, you must give them some sort of resolution. Because if your character starts out with a problem, he or she really needs to change that problem by the end. Story is all about who is most changed by the story's events. If the change is powerful, your readers will be more inclined to act.
5. Don't write to impress
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No one. Really, no one. You know why? Because the greatest stories are easy, they're simple. I mean, look at Shakespeare for example. His basic plots are not remarkable in the least, so don't try to squeeze in a dragon and some cool special effects to dazzle your reader, okay?
Your reader will be happy with a simple story, because, as one of my favorite quotes about writing says, of course it's been written before, but not by you ( I can't for the life of me find the exact quote).
But most importantly, write. You'll figure out the rest. What's your favorite piece of writing advice?
Authored by: @honeydue
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Hi adsactly. I hope all is well. Thank you for the tips. I found them simple and useful. Nuff blessings!
Like you, I don't think there are any formulas that tell us how to be good writers, but there are some useful rules that we should keep in mind and that you have commented on. In particular, I have several tips that seem fundamental to me, @honeydue. For example: take a notebook everywhere so you can copy any idea you have. Many of the best stories started out that way, being a doodle on a napkin. Always think of the end of your story. Even if you don't know how to start it (The Fear of the Blank Page) be clear about how you want to end it, this will serve as a map that will lead you to the great treasure. And last but not least, let the texts rest. All text, as well as the bread dough, must take time to expand and take on taste and smell. When we let the texts rest, we can look at them with others, more critical and less passionate, fundamental characteristics to improve any writing. Thank you for sharing your ideas and @adsactly for publishing them.
Very appropriate, helpful and dynamic tips for writing narrative, @honeydue. Certainly, there are no rules for literary creation in narrative (except in poetry, which is my field); however, and your post is an example, there are basic orientations, some collected in famous texts such as Philosophy of the composition of Poe, in Quiroga's "Decalogue of the Good Storyteller," or in Walk through the story of Cortázar (to quote three great ones). I would stress the need to specify a central theme and conflict; to seek effect; to revise what is being written and to clean up or adjust writing; not to rush into publication.
Thank you for your contributions, @honeydue, and @adsactly for allowing me to know them. Greetings.
In my opinion, the key is consistency in work. writing is something that we have to do so we can't help but be conditioned to write and write. when the idea enters our mind it's good to catch it immediately and we do a small note so that it doesn't disappear along with the passing of time. If we can do this as a fun activity, wherever can we write.
And I agree there is no definite formula in making someone succeed in writing. there are many factors like you describe. Including factor x, a factor beyond our power as a human that we often say is luck.
thank you @honeydue
Thank you @adsactly
Thank you steemit
Warm regard from Indonesia
Good publication, the advice you share is very useful in guiding the creation of a story, it can be taken as a kind of guide, but I also believe that in the exercise of writing the writer cannot be subject to a straitjacket. He has to feel free and, as you say, this can have a cathartic effect. Then, he gives free rein to his inspiration, he lets himself be carried away by what he feels and after that he shapes, revises, removes or adds elements until he achieves the best way of capturing on paper what he has thought and felt. Thanks @honeydue for your publication. Thank you, @adsactly.